I had an opportunity to attend an OBS event last night. It was a short film screening of works by up-and-coming and tenured directors, writers, and producers. I must say that this event is an event that fresh faces should find time to attend.  It was an intimate crowd, maybe 30-40 people, who were all ’somebody to know’ within the industry.

I didn’t realize that so many significant people were going to be at this event, but that’s just a reminder that as an entreprenuer, you must always be on your A-game…because you just never know who you’ll meet.

OBS presented about six short films, which were all very amazing, some shining brighter than others.  My favorite was Akira’s Hip Hop Shop, written and directed by Joe Doughrity. Its a comedic story about the most untraditional interracial couple, a Black woman and a Japanese man, dealing with the social judgement of their friends and family. Every character played an intrical part of the story. It was refreshing to see Asian culture, specifically Japanese, outside of the mainstream stereo-types. It was an amazing piece and the writer Joe Doughrity said its going from short film to feature. So look out for Akira’s Hip Hop Shop..Here’s the trailer

http://www.youtube.com/watch?v=MhjxM37-qpk&feature=PlayList&p=5CD790331A9A4202&playnext=1&playnext_from=PL&index=48

My next favorite piece was the shortest of them all: “Choke” written & animated by, Terence Anthony. This short cartoon was laugh-out-loud funny. It could’ve easily been on cartoon network’s, Adult Swim.  Lydia, a Black woman climbing the corporate ladder is almost strangled in her car when her pompous white colleague comes to brag about how he’s on top and she’s never gonna take over..Unbeknownst to him the killer, Max is in the backseat, (with his Palin ‘12 t-shirt (hilarious!) ) and is so annoyed with him and his Yuppie attitude he just decides to Choke the s*** out of him instead; and the strangest conversation emerges thereafter between Lydia and Max. The first question I asked Terence is how the heck did you come up with this concept. It was morbidly hilarious! Its actually playing here: http://www.atom.com/funny_videos/3EFBFFFF01C3BACA001700C6D059/

One thing Terence said when asked why he decided to animate the project himself, “I couldn’t find anyone else who was interested in animating my short…so I just did it myself”–Actors, writers, producers, directors—artist…Don’t wait for networks, agents, managers to do it for you…Get your art out there! People are waiting to hear it, to see it, to experience you and your brilliant talents!

(Terence also has a play “Blood and Thunder” showing at Moving Arts-Hyperion Station…for more info: www.movingarts.org . Also, check out www.orlandosjoint.com –its an animated comedy series by Mr. Anthony aswell!)

If you have a short film and want it screened with OBS or just want to learn more about the organization and be a part of go to : http://www.obswriter.com

OBS’s next event is December 15th from 7pm-1am a screening and holiday party at Ultra Lounge 6039 Washington Blvd, Culver City, CA 90232

I’ll be there, with my business cards and A-game! Hope to see you as well!!

–Ash

Many of us move to hollywood saying we want to be on the big screen. We want to be actors, the Meryl Streeps and Johnny Depps of the cinematic world but we never ask the question how are we going to get there.  Unlike Angelina Jolie (who is very talented btw and deserving of her accolades) whose father paved her way long before she decided she wanted to act, we all have to work our way in the door.  And that my friends can be the hardest thing to do when you only using your talent as an actor…

There are thousands of actors looking to “break-in” to that one starring role. and for women the chances of booking gets even slimmer, seeing that every 6 roles, only one is for a woman. So we have to ask ourselves, what makes us stand a part from the rest of the hollywood actors who have great smiles, great skin and great hair…and talent (sometimes that not even a requirement if you know the right person!)

I say, it is your ability to be master a skill and be good at many others.  If you can write, then direct your own play. Become the director, give other actors a job. If you can dance, choreograph work for an artist, teach at a school, start a youth program. If you can speak more than one language, make your own youtube novella and market your self.

The techno era is the time where your career is in your own hands and breaking into hollywood is as close as a youtube channel. Market your talents and any time you can offer a service to someone else…you become more valuable than a person looking for a job…Anytime you can create the jobs, you give a push to the economy (even if your not paying your actors…your giving them an outlet and exposure). Use all of your talents!

A friend of mine wrote and directed a play and she put it out to the universe that she wanted her show produced. She got the space for a 6 week run, got invited to participated in a national theater festival, received theater reviews and an opportunity to extend the show at an even bigger stage! She’s an actor and her play was all about the business of hollywood; very comical…very real! –the point—she used all of her talents…not only her acting chops, but her writing, her directing, and management skills and it opened more doors.

My challenge to you: write down all of your skills, potential and realized; circle the one’s you want to master and those you would like to develop. And get a move on it!!! One this is to just do and when you work from a “do” state of mine…there’s nothing that you can not get done!!!

Continue your journey!!!

Ash

So looking to work your acting chops huh? Well don’t discount student films. There are tons of Film Schools here, constantly searching for actors to cast in their short films. So get out there and audition for them.  Some great benifits in auditioning for student films are: its keeps your skillls fresh.  You may be in a scene study class, but you always want to put those skills to work and the easiest way is to get in those student films. Student films help build reel material. We are in the “show me” internet age. No longer do agents and CD’s want a headshot; they want to see what you can do before . Participating in these student films and then linking them to your myspace page or your official website, giving you the exposure you need. On the set of student films you meet great (and sometimes not-so-great) actors and crew, who you can become friends with and have lasting relationships here in LA. For those of us who move here by ourselves this is really helpful when trying to get out and meet people.  And finally, these student directors,editors, and cinematographers are going to be the Hollywood directors, editors and DP’s. That’s right! Can you imagine how many doors opened for the actors who worked with Quentin Tarantino on his first student film. Exactly!  So get out there and get to auditioning for these student films. They usually list casting notices on www.nowcasting.com, www.actorsaccess.com, and www.lacasting.com. I actually got cast in a short film at Loyola Marymount Film School this past weekend ,through actors access. I met a great director and phenomenal cast of actors, who I happened to gel with quite naturally. Its going to be great to see the finished product and The cast and I are all going out for a round of fun at a disclosed location in LA

Some very reputable schools to look into are:

University of Southern California (Home of George Lucas), Loyola Marymount University (great reputation, professional film school), LA  film School, LA valley College, The Arts Institute LA, New York Film Academy (LA) 

Just to name a few. I don’t know them all but below is a link to a website that has a list of schools. You can put your headshot and resume on file with some of these schools and they will call if they need for an audition. Others just post auditions when necessary. Good Luck!

http://www.filmschools.com/?WT.srch=1&WT.mc_n=edu_google_film_gsfilmdr_caflmschsbrd_200609&s_kwcid=film%20schools%20in%20california|1701906843

Finally, I can say that I have found one of the best photographers in Los Angeles, CA and it has truly been a search. I have gone months without new shots and horribly needed them. Initially, my naivety and impatience sent me to an amatuer photographer who charged me professional rates. I walked a way with a useless portfolio with overexposed pictures. With no more money to invest in headshots, I had waited and was getting a little down because everyone I searched was really expensive or hardly experienced and then I found that Diamond in the rough. While I was at dress rehearsal for my last show, one of my co-actors referred me to Robin Emtage. I went to her website and I mean, the work literally speaks for itself. When you’re looking through her gallery, you think, “geez, I can’t afford such great shots” WRONG…she has packages that work with us actors on a budget. I got the quickie session (two looks) I did a commercial and theatrical shot. My total for that day was 295.00 and this included make-up. There was a 50 dollar deposit and I paid the balance in cash to receive my CD the day of the shoot. The first photographer charged me 500.00 dollars and my pictures were not “send to an agent quality”!! I submitted and got no response from any castings directors. I uploaded my new headshots on Saturday and receieved a Casting Notice on Monday! 

If you are looking for a photographer in LA, Robin Emtage, is definitely the lady to see. Check out her website, she has all kinds of packages to fit those looking to build a portfolio and those who need shots to get to an agent. Do your career a favor and check out her website. Let her know Ashlee Katrice, from AlreadyFamous, referred you!!

www.robinemtage.com

 I’ve included the 500 dollar shot by Rick and the 295 dollar Shots by Robin Emtage. You tell me which one is worth it! That just goes to show you can spend a lot of money and get average shots, or you can find a great photographer and save a couple bucks!

500 dollar Headshot by Rick

295 dollar headshot by Robin Emtage

ashleekatrice.wordpress.com

So I’m in the thick of two months of unemployment! Aaaah! Yes, it was a conscious decision that I made to leave my law firm for this beautiful dream of acting and I must say that I have some much needed wisdom to pass on to my fellow thespians, film aspirants and the such.

While I encourage you to get out there and risk it all to become the next Angelina Jolie; I do say think wisely and be patient. This industry is a tough one. Before I continue, I want to say that I’m in no way trying to deterr anyone from there dreams, I’m not trying to discourage you nor make you doubt yourself. I’m only trying to tell you to heed the advice that I ignored.

These are some of the things that people told me to do (and the thoughts that ran through my head as they said it)

Ashlee stay at your secure job, work, and save your money; we’re in a recession right now (Well I’ll have an agent and booking jobs before I even feel the financial crunch of this recession)

Ashlee having to live wondering when the next gig will come so you can make rent is going to make you desperate (That’s not going to happen to me… I’m too talented; I’ll be fine)

You should wait until you book an agent before you leave your corporate job (Oh I’ll have an agent within a month, so I’ll be fine)

Take your time…its a journey up that hill and its a hard climb, don’t rush and cut corners; you’ll just tire yourself out (I don’t have time to be patient…I’m not getting any younger here

Everything started out just fine. I had about 3500 dollars to keep me up, looking for a part time and doing background work. I took 750 of that and invested in headshots with a “photogapher” who ensured I would have the best photos ever and he would take care of the printing, yeah well I had to ask for a 250 dollar refund. I was about to use this to get new shots, but my breaks went and I need an oil change and a filter and then some (volvo’s are expensive upkeep). Then came my car payment, then my student loan payment, then my insurance…and I hadn’t even gotten any headshots printed yet to send out to the agencies! I started to realize that I budgeted for marketing myself but not for life. Or better yet I was under the assumption that things would just fall into place, but this is life we’re talking about here.

Artists, it’s so cliche to be starving artist; even if the art is your passion. Can you really enjoy this artform when you are desperately waiting for someone to throw u a bone so you can feed yourself?

I’m at USC now working in the Dentistry department. Does this mean I’m not pursuing my dream? Of course not, I’m working on two short films, I’m in a horror feature film, I just finished a play that I’ll soon begin workshopping…and this is all great, except its all non-paying! So I say I will feed myself with a dayjob and work twice as hard to get my work into film festivals, continue building a reel, and have money for quality headshots in order to book an agent.

If you feel that this won’t be your story; if you decide to quit your dayjob, I suggest you pick up a trade (bartending, make-up artist, etc…these are just as competitive as the acting biz) so this way you can cut hair while your on your way to the top, you can give facials, so you don’t die of hunger

Either way it goes, begin to figure out when wisdom is knocking and when others are just doubting you. If you learn how to decipher between the two you’ll make wiser decisions and be well off. Good luck!!

 I booked my first feature film! I’ve been doing short films (20min or less) and it is so funny how I got the part in this independent feature. I’m writing this post to tell all you actors out there to take every moment you work seriously. Every free film/student project/play you do, treat it as if you’re getting paid a studio salary because Hollywood is small and as you work you will begin to connect to different circles. Before you know it, you will be in the right circle; not that the others were wrong, but those circles were preparing you for this moment…your first paid feature film.

So how did I book this incredible opportunity? Well I worked on a short film that I auditioned for through Craigs List. The Boom mic operator was a writer and he called me to be a part of his pilot he was entering into a competition. The Director of Photography (cinematographer) happened to be a director and his friend finished a horror script and secured financing, in which the director cast me in.

Money was not an expectation, I am still working on projects for reel material, but it was the icing on the cake to hear that everyone would need to take off work for two weeks, so the budget is mainly salaries for actors and production.  Very exciting. And it all started with a short film project I found on craig’s list.

I share this with so that you remember that everytime you work on a project for a friend or just for fun, its a project that could possibly get you a step closer to a bigger and better role. Have fun and  while you’re at it, be professional; you never know who’s looking to cast you in their feature project!

Ashlee Katrice

So you think you’re at the point where you can begin looking for an agent in LA? Ok, let me give you a heads up on the how to get started. This advice is not intended to gurantee you an agent; only to give you an efficient strategy when beginning your submissions for an agent.

1. You need Headshots:

Professional Headshots! Not a digital camera or candid photo (this only works for children). Teenagers and adults need quality shots. Remember this your calling card; its your first impression. So make sure its what you want people to remember. Please do your research on on the photographer; there are so many amatuers who pose themselves as professional photographers and they haven’t taken one phtography course, they just happen to own a camera. I had a very humbling experience in where Paid someone over 500 dollars for a shoot and all of the pictures were overexposed. They were great shots but the lighting was completely off. Luckily he refunded a portion of my money…but I was impatient and ready to jump into the first photographer I found and I learned a valuable lesson. Research and invest wisely as this is the first hurdle.

2. Printing and Retouching

Don’t try and do it yourself! Your pictures should be handled by a professional editor and printed at a place that actually does set-ups of headshots or exprienced in printing formatted headshots. I got my pictures retouched at a place called argentum, www.argentum.com. They are very professional and effiecent. A little pricey, but definitely worth the money. They provide a plethora of services for the working actor; check them out.

3. Submitting to Hollywood Agencies

Ok so here’s the meat and potatoes. You will need to go the samuel french store in LA (http://samuelfrench.com/store/) and pick up the Agencies book. It cost about 12 dollars and there is a monthly issue. This book provides all the addresses and information about each talent agency in LA. Each agency will tell you if there SAG franchised, AFTRA, AEA,etc. These are unions and guilds that the professional actor joins to get better pay rates and better jobs. For details about each union, I’ll post in the near future.  YOu want your agency to be franchised in some way or another, because going with an agency that is not can be very very risky; you are not protected under the Laws of the unions, which means that agency can pretty much do whatever they wish with you, so beware.

In the Agency book, you will read a specific descriptions of the “types” they are looking for that month.  SUBMIT TO AGENCIES LOOKING FOR YOUR TYPE. Its a waste of money in the beginning to solicit mail to agencies that are not looking for your type, they will usually send it back or throw it in the trash. When I say your type, it  will list something like this, “ searching for African American & Latino women between 18-40; very attractive people. No character actors.” If you’re a white male- do not submit; if you’re an African American woman who looks 60- do not submit; if you’re a character actor- do not submit. These agencies get hundreds upon hundreds of headshots per week, don’t make them waste their time opening something they don’t need! Trust me there is an agency in that book for all types.

4. Cover Letter

Once you’ve got a list of agencies that you would like to submit your headshots to, you will need to include a cover letter. It needs to be concise and list things that will peak the interest of the Agent. Remember they are trying to make money, so if you’ve done anything in the realm of entertainment, that has produced  signficant revenue for you, put it in your letter. If you’re eligible to join any of the unions, add this as well; this means they can submit you for union jobs and if you book it, they get a decent cut. A brief mention of your current training is helpful aswell, because agents want to know that you are keeping your tools current. They know if you’re training, you will be more confident when you walk into the audition.

Word of advice: If you have no experience whatsoever, do not submit to the agency. They will not see you for an interview. I’m not saying it has to professional experience (in which you have received an income for the project) but it should be student films, plays from your school, workshops. They want to be comfortable that you are ready to be sent out on auditions. If you can’t give the definition of the word monologue, if you have never been on a stage, If you don’t know what a slate is, then you may not be ready to submit to an agency. It doesn’t mean that you are not talented, it just means that you need to learn the business more so that you are truly prepared. It is a cut-throat business and first impressions matter. Like any interview, you will not get hired without the necessary basic requirements.

When writing your letter make things quantifiable:

“My name is Ashlee Thomas and I would like to request and interview with your agency. In 2006 I was featured in a National Verizon wireless commercial which grossed over 15,000 dollars and provided me with SAG eligibility. I have worked in various student films and was a principal in an independent feature; my reel is available upon request. I also had the opportunity to tour with a local theater company in Florida. I have trained extensively with Alexia Robinson’s Studio in Burbank, CA. I am currently seeking commercial and theatrical representation. I would like to be considered for commercials, films, stage work, music videos, and lifestyle and fitness modeling. If you have any interest please contact me. I hope to hear from you soon!

Ashlee Thomas 

Keep it short and simple. You are selling yourself so verbage is important. The above is only an example of my cover letter (I wrote it from memory so its not as professional as my actual letter). This should give you some direction for you cover letter.

5. Getting in contact with the agents

Once you’ve submitted, someone will call you within two weeks. If they haven’t, it is your job as an entreprenuer to be sure to contact them. “Hello, My name is Jane Doe. I submitted my headshots two weeks ago and wanted to know if I could have an opportunity to come in for an interview”. They will say yes or they will tell you they are not intersted. Simple as that. If you get the second answer, that’s fine. You just move on to the next agency. If your getting this from all the agencies- maybe you need more experience on your resume, maybe your headshots weren’t the best, maybe they just didn’t need anymore of your type. The reasons why, you will never know. Don’t get pushy either, don’t make the agents feel uncomfortable; they will remember. Just start the process all over again. Take a class and then submit again. Work on a student film and then submit again. It can take up to 3 years to get an agent sometimes! Commercial agents are the easiest to sign with, Theatrical (film) agents are the most challenging to sign.

So you have your work cut out for you. Get to it!!

Ashlee Katrice

 Studio Review:  Addison Witt  Management/ Studio One Acting Studio

Address: 14366 Ventura Blvd., Sherman Oaks, CA 91432

Website:www.addisonwitt.com

Teacher: Addsion Witt 

Price: $500/ 3 months or 166.67/ month

Class Schedule: Sundays 3-5pm

 Addison’s class is great if you’re between the ages of 15-18. He teaches a children’s class (14 and younger) prior to his adult class on Sundays. He’s also a talent manager. I have noticed that most of his adult class consists of teen working actors (mostly cast in Disney, ABC kids, etc.). If you’re an experienced actor it will be challenging to really get into material with your younger acting partner because they really can’t delve into the “meat & potatoes” of some of the content handed out in class. This is a beginner’s course. He works on improvisational skills, which is absolutely necessary in the industry. There is no on-camera work in this class nor are there workshops where you have the opportunity to showcase your talent in front of agents and Casting Directors. It’s uncommon for actors to be assigned scenes to develop in their personal time, and perform during class (this only occurred once with no props or set-up). I think that scene assignment is essential to an actor’s growth. He does place a strong emphasis on your ability to cold read. Cold reading is highly important, but you want to be able to hone your craft; learn to develop characters and get feed back about what you could improve on. As an actor with training and experience I give this class a C+.  If you interested in taking his classes, you better get in as soon as possible as the doors to Studio 1 will be closing December 2008.

Pros:

·        He is a manager, with industry connections. If you have the talent, he could possibly represent you and help you move along in the industry.

·        If you’re between the ages of 15-18, this class is great for you.

·        The class is on Sunday, which makes it convenient for those who work during the week.

·        He caters to parents who want to get their child into the industry

If you’re living in LA and trying to break into the industry but don’t know the types of jobs  that will allow you to eat and audition; I suggest you consider Background Work. Yes. I said this dirty little word. Become an extra. So you think it is beneath you? Don’t.  Many actors begin as extras because its an easy way to get experience of being on set and make some money. I’m not saying this will pay your mortgage, but it will definitely help with some expenses that you have. I think this is a great option for people who aspire to in the television industry and have very little debt. If you have loans, car payment, credit cards, etc., still by all means, do the extra work but make sure to look for a good weekend job to make ends meet.  ** For those who may not know what background or extra means; its those arbirtary people you see walking in the background of movies, tv shows, commercial, even the audience members of game shows.

Question: What’s the pay rate for Background?

Answer: If your non-union, it’s 64/8 hours. Regardless if you work 8 hours or not you will still be paid the $64. Yes a whopping 8 dollars an hour but I think this is fair, seeing that most of the time you hurry up and wait on set and they feed you as well.

If your union, 130/8 hours. Which works out 16.25 an hour.  If you can book Back ground work everyday and a have little debt you can pretty much make ends meet in LA as you make your way to stardom.

Any overtime is always time & 1/2 so non-union, expect 12 dollars/hr after the 8th hour and union, expect 24 dollars and hour.

Question: That sounds great, but how do I get into background work?

Answer: There are numerous Background Casting agencies you can join, but I suggest you  begin with Central Casting. It is the largest background casting agency. 85% of all Hollywood Television and Film background needs are met through Central Casting. You have to sign up in person.

Non-union days are Mon,Wed,FRI from 10:30-11:30 am ONLY. Union Tue & Thur 10;30-11am. (union people can go on non-union days) I suggest you arrive by 10 as the space fills up quickly. There is a 25 dollar registration fee and they ONLY ACCEPT CASH. There is no ATM in the building so you should bring the cash with you. YOu will also need proof of citizenship. A passport or driver’s liscense along with an original social security card or birth certificate (you must have two forms of id if you using the Driver’s ID). For Legal aliens or foreigners with work visa, you must provide green cards and work authorizations cards. Bascially, come prepared to prove you have a right to work in the states or they will not let you sign up. 

Once you’ve signed up with Central Casting you will need to call into the line everyday and listen to a message that tells you what they are casting for. When you hear something that fits your profile, you will dial the 4-digit code given to you for that specific role and you will call in until you get through. There are about 15,000 people claling in at the same time, so you probably will need to put the number on speed dial and hope the slot hasn’t been filled once you finally get through. If you want to get the background work, you will need to be proactive! You are your own business.

Ok, so just joing Central Casting will approve you for backgroudn work but it doesn’t guarantee that you will book. This is where I suggest a call-in service.

Directly across the street from Central Casting is a call-in agency called Extra’s Management. Instead of you sitting on the line for 45 minutes at time trying to book background work, they will do it for you! Yes that’s right they will submit you from 7am-12 midnight and book work for you. This is one of the top call-in services for background work. 80-85% of their clients book work 4-5 times out of the week. Thats huge for you because it frees up your time to work on monologues, start a business, SAVE your wireless minutes!!

But convenience does come with a price. For this agency, it is 85 dollars to sign up and then 75 dollars a month. OUch! Sound like a lot but the day I signed up, they booked for SCRUBS, the next day. I was paid 64+ 48$ (4hrs OT) thus making back my 85 dollars plus 27 dollar profit. That was just day 1. They booked me on LICOLN HEIGHTS the next day and then GREEK the day after. So I signed up on Monday and worked 3 days directly after. I guess I’m in that 85%. Trust me, it is definitely worth the money! There are specific rules with each call-in service that you must agree to. They will give you an orientation and you can decide if that call-in service is for you. There are also cheaper agencies, but remember, you get what you pay for.

Good Luck! See you in the background… Remember, ther are no small parts, just small actors; so enjoy this, network and learn the industry as you will be the principal on camera or the one calling the shots in the very near future:)

Peace & Blessings!

I was privileged enough to meet Robert Townsend today when he hosted a seminar at my church. Simply put, it was amazing. The advice he gave goes beyond acting and filmmaking. It applies to any career path. It applies to everyone’s life. It doesn’t take much to inspire me, but I really left there feeling like I hadn’t been doing enough to further my career, and I consider myself a pretty hard worker. Not only did he wake me up to the fact that I might not be doing enough, he made me believe that doing more would be enough. It’s all about the work. If you do it, you have no choice but to find success.

The seminar was more about filmmaking, pitching, writing, and directing rather than acting, but it was still all too interesting to hear advice from an individual who is a master in every area. One thing that stood out in terms of acting and getting cast is that you have to audition even if you fit absolutely none of the roles. If you’re too good to turn down, they might write you a part! He has done it before, and sounded like he’d do it again.

In regards to getting your foot in the door, he made it seem as though there was no door to get in. You and I are no different from the A list actors who have movies on the shelves. The only difference is they’ve done the work that you have yet to do. He mentioned that we usually don’t watch the most important part of movies, the credits. We turn off the TV, change the channel, or just walk out of the theatre. That’s where we actors can find casting directors who cast movies that we enjoy and parts we want to play. Next time you watch a movie, study the credits. Take down the name of the casting director. Google him/her. They want to hear from you. It’s their job!! He also spoke about a term he calls, “Playing without the ball.” It’s when you start doing without any resources. You write the script without actors or a director. You prepare a budget without the funding. You learn the lines without the part. You submit for roles without an agency. You play the game, without the ball. If you can play the game well even without the most essential part of the game, imagine how well you’ll play once you get it!

In terms of preparation, when I dared ask him how I could cast in one of his next projects, he mentioned nothing about an agency. He uttered nothing about LA casting or Nowcasting. He asked if I had 5 monologues prepared at the moment. I told him I had 3. Had I thought about it another second, I could’ve thought of one more. The point is that you need to have a monologue for every role you may want to play. It needs to be committed to memory, committed to life. One of my instructors heavily suggested that we start a whole notebook dedicated to monologues we like or may need. Monologues are like spare tires in auditions, you never know when you might need one.

It seemed like every other sentence was quote worthy. So I wrote them all down to share with you. Thanks for reading! Love Tiffany!

Quotes from Robert Townsend:

·        What are you willing to give up to get your dream?

·        Attack! Attack your own script so that by the time you pitch it to studios, they have no choice but to buy it.

·        Excuses? Who cares!

·        Profanity in scripts is the ace in the card game: Only use it when you have to.

·        You only get born once. When you do good work, it’s around forever.

·        Trust your vision.

·        You can’t stumble if you’re not moving.

·        How many chances did you take this week?

·        Play the game without the ball.