Student Films: A Great opportunity for actors

So looking to work your acting chops huh? Well don’t discount student films. There are tons of Film Schools here, constantly searching for actors to cast in their short films. So get out there and audition for them.  Some great benifits in auditioning for student films are: its keeps your skillls fresh.  You may be in a scene study class, but you always want to put those skills to work and the easiest way is to get in those student films. Student films help build reel material. We are in the “show me” internet age. No longer do agents and CD’s want a headshot; they want to see what you can do before . Participating in these student films and then linking them to your myspace page or your official website, giving you the exposure you need. On the set of student films you meet great (and sometimes not-so-great) actors and crew, who you can become friends with and have lasting relationships here in LA. For those of us who move here by ourselves this is really helpful when trying to get out and meet people.  And finally, these student directors,editors, and cinematographers are going to be the Hollywood directors, editors and DP’s. That’s right! Can you imagine how many doors opened for the actors who worked with Quentin Tarantino on his first student film. Exactly!  So get out there and get to auditioning for these student films. They usually list casting notices on www.nowcasting.com, www.actorsaccess.com, and www.lacasting.com. I actually got cast in a short film at Loyola Marymount Film School this past weekend ,through actors access. I met a great director and phenomenal cast of actors, who I happened to gel with quite naturally. Its going to be great to see the finished product and The cast and I are all going out for a round of fun at a disclosed location in LA

Some very reputable schools to look into are:

University of Southern California (Home of George Lucas), Loyola Marymount University (great reputation, professional film school), LA  film School, LA valley College, The Arts Institute LA, New York Film Academy (LA) 

Just to name a few. I don’t know them all but below is a link to a website that has a list of schools. You can put your headshot and resume on file with some of these schools and they will call if they need for an audition. Others just post auditions when necessary. Good Luck!

http://www.filmschools.com/?WT.srch=1&WT.mc_n=edu_google_film_gsfilmdr_caflmschsbrd_200609&s_kwcid=film%20schools%20in%20california|1701906843

The BEST photographer for Headshots!!

Finally, I can say that I have found one of the best photographers in Los Angeles, CA and it has truly been a search. I have gone months without new shots and horribly needed them. Initially, my naivety and impatience sent me to an amatuer photographer who charged me professional rates. I walked a way with a useless portfolio with overexposed pictures. With no more money to invest in headshots, I had waited and was getting a little down because everyone I searched was really expensive or hardly experienced and then I found that Diamond in the rough. While I was at dress rehearsal for my last show, one of my co-actors referred me to Robin Emtage. I went to her website and I mean, the work literally speaks for itself. When you’re looking through her gallery, you think, “geez, I can’t afford such great shots” WRONG…she has packages that work with us actors on a budget. I got the quickie session (two looks) I did a commercial and theatrical shot. My total for that day was 295.00 and this included make-up. There was a 50 dollar deposit and I paid the balance in cash to receive my CD the day of the shoot. The first photographer charged me 500.00 dollars and my pictures were not “send to an agent quality”!! I submitted and got no response from any castings directors. I uploaded my new headshots on Saturday and receieved a Casting Notice on Monday! 

If you are looking for a photographer in LA, Robin Emtage, is definitely the lady to see. Check out her website, she has all kinds of packages to fit those looking to build a portfolio and those who need shots to get to an agent. Do your career a favor and check out her website. Let her know Ashlee Katrice, from AlreadyFamous, referred you!!

www.robinemtage.com

 I’ve included the 500 dollar shot by Rick and the 295 dollar Shots by Robin Emtage. You tell me which one is worth it! That just goes to show you can spend a lot of money and get average shots, or you can find a great photographer and save a couple bucks!

500 dollar Headshot by Rick

295 dollar headshot by Robin Emtage

ashleekatrice.wordpress.com

Don’t Quit your day job just yet!!

So I’m in the thick of two months of unemployment! Aaaah! Yes, it was a conscious decision that I made to leave my law firm for this beautiful dream of acting and I must say that I have some much needed wisdom to pass on to my fellow thespians, film aspirants and the such.

While I encourage you to get out there and risk it all to become the next Angelina Jolie; I do say think wisely and be patient. This industry is a tough one. Before I continue, I want to say that I’m in no way trying to deterr anyone from there dreams, I’m not trying to discourage you nor make you doubt yourself. I’m only trying to tell you to heed the advice that I ignored.

These are some of the things that people told me to do (and the thoughts that ran through my head as they said it)

Ashlee stay at your secure job, work, and save your money; we’re in a recession right now (Well I’ll have an agent and booking jobs before I even feel the financial crunch of this recession)

Ashlee having to live wondering when the next gig will come so you can make rent is going to make you desperate (That’s not going to happen to me… I’m too talented; I’ll be fine)

You should wait until you book an agent before you leave your corporate job (Oh I’ll have an agent within a month, so I’ll be fine)

Take your time…its a journey up that hill and its a hard climb, don’t rush and cut corners; you’ll just tire yourself out (I don’t have time to be patient…I’m not getting any younger here

Everything started out just fine. I had about 3500 dollars to keep me up, looking for a part time and doing background work. I took 750 of that and invested in headshots with a “photogapher” who ensured I would have the best photos ever and he would take care of the printing, yeah well I had to ask for a 250 dollar refund. I was about to use this to get new shots, but my breaks went and I need an oil change and a filter and then some (volvo’s are expensive upkeep). Then came my car payment, then my student loan payment, then my insurance…and I hadn’t even gotten any headshots printed yet to send out to the agencies! I started to realize that I budgeted for marketing myself but not for life. Or better yet I was under the assumption that things would just fall into place, but this is life we’re talking about here.

Artists, it’s so cliche to be starving artist; even if the art is your passion. Can you really enjoy this artform when you are desperately waiting for someone to throw u a bone so you can feed yourself?

I’m at USC now working in the Dentistry department. Does this mean I’m not pursuing my dream? Of course not, I’m working on two short films, I’m in a horror feature film, I just finished a play that I’ll soon begin workshopping…and this is all great, except its all non-paying! So I say I will feed myself with a dayjob and work twice as hard to get my work into film festivals, continue building a reel, and have money for quality headshots in order to book an agent.

If you feel that this won’t be your story; if you decide to quit your dayjob, I suggest you pick up a trade (bartending, make-up artist, etc…these are just as competitive as the acting biz) so this way you can cut hair while your on your way to the top, you can give facials, so you don’t die of hunger

Either way it goes, begin to figure out when wisdom is knocking and when others are just doubting you. If you learn how to decipher between the two you’ll make wiser decisions and be well off. Good luck!!

Preparing for your Feature role

 I booked my first feature film! I’ve been doing short films (20min or less) and it is so funny how I got the part in this independent feature. I’m writing this post to tell all you actors out there to take every moment you work seriously. Every free film/student project/play you do, treat it as if you’re getting paid a studio salary because Hollywood is small and as you work you will begin to connect to different circles. Before you know it, you will be in the right circle; not that the others were wrong, but those circles were preparing you for this moment…your first paid feature film.

So how did I book this incredible opportunity? Well I worked on a short film that I auditioned for through Craigs List. The Boom mic operator was a writer and he called me to be a part of his pilot he was entering into a competition. The Director of Photography (cinematographer) happened to be a director and his friend finished a horror script and secured financing, in which the director cast me in.

Money was not an expectation, I am still working on projects for reel material, but it was the icing on the cake to hear that everyone would need to take off work for two weeks, so the budget is mainly salaries for actors and production.  Very exciting. And it all started with a short film project I found on craig’s list.

I share this with so that you remember that everytime you work on a project for a friend or just for fun, its a project that could possibly get you a step closer to a bigger and better role. Have fun and  while you’re at it, be professional; you never know who’s looking to cast you in their feature project!

Ashlee Katrice

Hollywood Agencies

So you think you’re at the point where you can begin looking for an agent in LA? Ok, let me give you a heads up on the how to get started. This advice is not intended to gurantee you an agent; only to give you an efficient strategy when beginning your submissions for an agent.

1. You need Headshots:

Professional Headshots! Not a digital camera or candid photo (this only works for children). Teenagers and adults need quality shots. Remember this your calling card; its your first impression. So make sure its what you want people to remember. Please do your research on on the photographer; there are so many amatuers who pose themselves as professional photographers and they haven’t taken one phtography course, they just happen to own a camera. I had a very humbling experience in where Paid someone over 500 dollars for a shoot and all of the pictures were overexposed. They were great shots but the lighting was completely off. Luckily he refunded a portion of my money…but I was impatient and ready to jump into the first photographer I found and I learned a valuable lesson. Research and invest wisely as this is the first hurdle.

2. Printing and Retouching

Don’t try and do it yourself! Your pictures should be handled by a professional editor and printed at a place that actually does set-ups of headshots or exprienced in printing formatted headshots. I got my pictures retouched at a place called argentum, www.argentum.com. They are very professional and effiecent. A little pricey, but definitely worth the money. They provide a plethora of services for the working actor; check them out.

3. Submitting to Hollywood Agencies

Ok so here’s the meat and potatoes. You will need to go the samuel french store in LA (http://samuelfrench.com/store/) and pick up the Agencies book. It cost about 12 dollars and there is a monthly issue. This book provides all the addresses and information about each talent agency in LA. Each agency will tell you if there SAG franchised, AFTRA, AEA,etc. These are unions and guilds that the professional actor joins to get better pay rates and better jobs. For details about each union, I’ll post in the near future.  YOu want your agency to be franchised in some way or another, because going with an agency that is not can be very very risky; you are not protected under the Laws of the unions, which means that agency can pretty much do whatever they wish with you, so beware.

In the Agency book, you will read a specific descriptions of the “types” they are looking for that month.  SUBMIT TO AGENCIES LOOKING FOR YOUR TYPE. Its a waste of money in the beginning to solicit mail to agencies that are not looking for your type, they will usually send it back or throw it in the trash. When I say your type, it  will list something like this, “ searching for African American & Latino women between 18-40; very attractive people. No character actors.” If you’re a white male- do not submit; if you’re an African American woman who looks 60- do not submit; if you’re a character actor- do not submit. These agencies get hundreds upon hundreds of headshots per week, don’t make them waste their time opening something they don’t need! Trust me there is an agency in that book for all types.

4. Cover Letter

Once you’ve got a list of agencies that you would like to submit your headshots to, you will need to include a cover letter. It needs to be concise and list things that will peak the interest of the Agent. Remember they are trying to make money, so if you’ve done anything in the realm of entertainment, that has produced  signficant revenue for you, put it in your letter. If you’re eligible to join any of the unions, add this as well; this means they can submit you for union jobs and if you book it, they get a decent cut. A brief mention of your current training is helpful aswell, because agents want to know that you are keeping your tools current. They know if you’re training, you will be more confident when you walk into the audition.

Word of advice: If you have no experience whatsoever, do not submit to the agency. They will not see you for an interview. I’m not saying it has to professional experience (in which you have received an income for the project) but it should be student films, plays from your school, workshops. They want to be comfortable that you are ready to be sent out on auditions. If you can’t give the definition of the word monologue, if you have never been on a stage, If you don’t know what a slate is, then you may not be ready to submit to an agency. It doesn’t mean that you are not talented, it just means that you need to learn the business more so that you are truly prepared. It is a cut-throat business and first impressions matter. Like any interview, you will not get hired without the necessary basic requirements.

When writing your letter make things quantifiable:

“My name is Ashlee Thomas and I would like to request and interview with your agency. In 2006 I was featured in a National Verizon wireless commercial which grossed over 15,000 dollars and provided me with SAG eligibility. I have worked in various student films and was a principal in an independent feature; my reel is available upon request. I also had the opportunity to tour with a local theater company in Florida. I have trained extensively with Alexia Robinson’s Studio in Burbank, CA. I am currently seeking commercial and theatrical representation. I would like to be considered for commercials, films, stage work, music videos, and lifestyle and fitness modeling. If you have any interest please contact me. I hope to hear from you soon!

Ashlee Thomas 

Keep it short and simple. You are selling yourself so verbage is important. The above is only an example of my cover letter (I wrote it from memory so its not as professional as my actual letter). This should give you some direction for you cover letter.

5. Getting in contact with the agents

Once you’ve submitted, someone will call you within two weeks. If they haven’t, it is your job as an entreprenuer to be sure to contact them. “Hello, My name is Jane Doe. I submitted my headshots two weeks ago and wanted to know if I could have an opportunity to come in for an interview”. They will say yes or they will tell you they are not intersted. Simple as that. If you get the second answer, that’s fine. You just move on to the next agency. If your getting this from all the agencies- maybe you need more experience on your resume, maybe your headshots weren’t the best, maybe they just didn’t need anymore of your type. The reasons why, you will never know. Don’t get pushy either, don’t make the agents feel uncomfortable; they will remember. Just start the process all over again. Take a class and then submit again. Work on a student film and then submit again. It can take up to 3 years to get an agent sometimes! Commercial agents are the easiest to sign with, Theatrical (film) agents are the most challenging to sign.

So you have your work cut out for you. Get to it!!

Ashlee Katrice

Actor’s Studio Review: Studio 1

 Studio Review:  Addison Witt  Management/ Studio One Acting Studio

Address: 14366 Ventura Blvd., Sherman Oaks, CA 91432

Website:www.addisonwitt.com

Teacher: Addsion Witt 

Price: $500/ 3 months or 166.67/ month

Class Schedule: Sundays 3-5pm

 

 Addison’s class is great if you’re between the ages of 15-18. He teaches a children’s class (14 and younger) prior to his adult class on Sundays. He’s also a talent manager. I have noticed that most of his adult class consists of teen working actors (mostly cast in Disney, ABC kids, etc.). If you’re an experienced actor it will be challenging to really get into material with your younger acting partner because they really can’t delve into the “meat & potatoes” of some of the content handed out in class. This is a beginner’s course. He works on improvisational skills, which is absolutely necessary in the industry. There is no on-camera work in this class nor are there workshops where you have the opportunity to showcase your talent in front of agents and Casting Directors. It’s uncommon for actors to be assigned scenes to develop in their personal time, and perform during class (this only occurred once with no props or set-up). I think that scene assignment is essential to an actor’s growth. He does place a strong emphasis on your ability to cold read. Cold reading is highly important, but you want to be able to hone your craft; learn to develop characters and get feed back about what you could improve on. As an actor with training and experience I give this class a C+.  If you interested in taking his classes, you better get in as soon as possible as the doors to Studio 1 will be closing December 2008.

 

Pros:

·        He is a manager, with industry connections. If you have the talent, he could possibly represent you and help you move along in the industry.

 

·        If you’re between the ages of 15-18, this class is great for you.

 

·        The class is on Sunday, which makes it convenient for those who work during the week.

 

·        He caters to parents who want to get their child into the industry

When I Met Robert Townsend…

I was privileged enough to meet Robert Townsend today when he hosted a seminar at my church. Simply put, it was amazing. The advice he gave goes beyond acting and filmmaking. It applies to any career path. It applies to everyone’s life. It doesn’t take much to inspire me, but I really left there feeling like I hadn’t been doing enough to further my career, and I consider myself a pretty hard worker. Not only did he wake me up to the fact that I might not be doing enough, he made me believe that doing more would be enough. It’s all about the work. If you do it, you have no choice but to find success.

The seminar was more about filmmaking, pitching, writing, and directing rather than acting, but it was still all too interesting to hear advice from an individual who is a master in every area. One thing that stood out in terms of acting and getting cast is that you have to audition even if you fit absolutely none of the roles. If you’re too good to turn down, they might write you a part! He has done it before, and sounded like he’d do it again.

In regards to getting your foot in the door, he made it seem as though there was no door to get in. You and I are no different from the A list actors who have movies on the shelves. The only difference is they’ve done the work that you have yet to do. He mentioned that we usually don’t watch the most important part of movies, the credits. We turn off the TV, change the channel, or just walk out of the theatre. That’s where we actors can find casting directors who cast movies that we enjoy and parts we want to play. Next time you watch a movie, study the credits. Take down the name of the casting director. Google him/her. They want to hear from you. It’s their job!! He also spoke about a term he calls, “Playing without the ball.” It’s when you start doing without any resources. You write the script without actors or a director. You prepare a budget without the funding. You learn the lines without the part. You submit for roles without an agency. You play the game, without the ball. If you can play the game well even without the most essential part of the game, imagine how well you’ll play once you get it!

In terms of preparation, when I dared ask him how I could cast in one of his next projects, he mentioned nothing about an agency. He uttered nothing about LA casting or Nowcasting. He asked if I had 5 monologues prepared at the moment. I told him I had 3. Had I thought about it another second, I could’ve thought of one more. The point is that you need to have a monologue for every role you may want to play. It needs to be committed to memory, committed to life. One of my instructors heavily suggested that we start a whole notebook dedicated to monologues we like or may need. Monologues are like spare tires in auditions, you never know when you might need one.

It seemed like every other sentence was quote worthy. So I wrote them all down to share with you. Thanks for reading! Love Tiffany!

 

Quotes from Robert Townsend:

·        What are you willing to give up to get your dream?

·        Attack! Attack your own script so that by the time you pitch it to studios, they have no choice but to buy it.

·        Excuses? Who cares!

·        Profanity in scripts is the ace in the card game: Only use it when you have to.

·        You only get born once. When you do good work, it’s around forever.

·        Trust your vision.

·        You can’t stumble if you’re not moving.

·        How many chances did you take this week?

·        Play the game without the ball.

 

Acting on a Budget

If you’ve been on the actor’s grind for a while, you’ve noticed that the profession can get a little expensive. Driving to auditions, parking, train tickets, headshots, grooming, buying scripts and so on can run you more than the rent if you do it enough. Well actors, there is good news yet! All of these rituals of career prep can be written off on your taxes!!!!!

          As an actor, union or non-union, you are an independent contractor. Every job you book, paid or unpaid, you have to pay taxes for because it is a source of income. Well, just like with any other job, whatever money you spent to obtain the job or maintain the job, you can write it off as a tax deduction. This includes tolls, gas, mileage, train tickets, the cost of headshots, buying scripts, and anything else from Sam French. As an actor, even a trip to the movies is considered research. If you audition out of town, the hotel stay and the money you spend on meals (per diem) is a write off too!

          More than an art, acting is a business. Show Business. That means you need to keep all of your receipts and documents and claim your money back at the beginning of the year. When you reach the magic age of 24, even your acting classes/tuition can be written off. And if you don’t have any children as dependents, every little bit helps. So next time you GoogleMaps your audition, save the printout and times the mileage by 2 and put it in a drawer for next January. By the time you reach your big role that makes you millions, you will have saved thousands!! Love Tiffany!

How To Give A Cold Reading

Read the sides. (of course)Ask what the play or screenplay is about and where the sides take place within the play.

Make note of an uncommonly used words and ask how to pronounce them if need be.

Drill them into your head and DO NOT forget the correct pronunciation during the reading.

Try to incorporate as much of you and life into the character as possible.

The producers/casting directors already assume you can act, otherwise you wouldn’t be there. At the point of a cold reading they are looking for the golden someone who livens the character and embodies it best. The purpose of the cold reading is to show competence in speedy character development, talent, and ingenuity. They don’t expect it to be perfect; they just want to know if you are worth testing or working with. Remember, the writer has been working on this script for months or even years. The producer has let his lights go off I his apartment for this project. The director has lost hair over it and turned down other jobs for it. They want you to be the right person for the part so they can cast you and move on to filming. Show up and just be the part!

Even You Can Get Free Headshots!

$600. For some people, that’s enough money to pay car insurance for 6 months. For other it’s a modest mortgage payment. For Kimora  Lee it’s a manicure, but for you, the new actor, it’s the cost of headshots. And you thought your Byrn Allyn senior pictures  were expensive. Oh? You want to know why they cost so much? Let’s examine..

                        $300 = 3 looks with a photographer

                        $100 = retouching

                        $200 = printing (depending on the quantity)

                        $600 total

You might be able to cut back on some of the $300 for a session with a photographer, but you need at least 3 looks. One for theatrical acting. One ¾ body shot, and one smiley picture for commercial acting.

            Lucky for you, I’ve got just the solution, just don’t pay! I got by with paying a whole $70 for my headshots. A buddy of mine was willing to shoot me for free. In case you don’t have such resourceful friends, theirs is modelmayhem.com. It’s a site that links models to photographers. Now, not all of them are good, but some of them are amazing! They don’t charge you for helping them get better and you don’t pay them for helping you get free headshots! It’s a win/win situation. N the end, you only spend money on printing, which could run you anywhere from $50-$200 depending on how many you order. I paid $50 for 25, with no retouching. So go get your hair and makeup done and say cheese. With the money you save, spend it on your reel. I’ll tell you how to a deal on that soon! Love Tiffany!